He was fantastic once again, although I happened to be doing the interview at a roundtable with one journalist who thought he’d rather talk to Neill than hear what he had to say. That’s an unfortunate trend here at some TIFF events, but I bare him no ill will, I just got tired of hearing the guy take a minute to get to a question as he discussed his own views on film.
Anyway, Neill had some interesting points, including how the Spierig brothers (Michael and Peter), who directed Daybreakers, are actually identical twins, and the only way he could tell them apart was that one brother is about three or four pounds heavier because he has a girlfriend who cooks for him. That, and when I asked Neill who his favorite villain was from film or literature, he said it would have to be Jean-Baptiste Grenouille from the novel Perfume.
After that, I was off to the Elgin theatre for the main event of my day: the screening of Brigitte Berman‘s documentary, Hugh Hefner: Playboy, Activist and Rebel.
Normally, when I cover red carpets, I head right for the photographer’s area because there are so many media outlets competing for interviews, but I was not going to miss the chance to meet Hugh Hefner, who was actually in town for this event.
Arriving about two hours early, I spent the time leading up to Hef’s arrival thinking about what I was going to ask him. Time was tight, so I wanted a good question. When he showed up, with his three blond girlfriends I might add, he zoomed through the red carpet at a brisk pace, so I barely had time to let it all sink in before he was in front of me, shaking my hand.
First of all, I try to keep my cool throughout the festival, but all I could think was, “Hugh Hefner, the Hef himself, the man behind one of the most well-known iconic, pop culture establishments in the world, just shook my hand.” I didn’t even offer to shake his hand, I thought it would be rude. He just stepped up to me with that wry smile, and shook my hand.
I digress. Jumping into it, I asked him how he felt people’s perceptions of him had changed over the years, and what he thought the future held for Playboy. He gave decent answers, but with time short, I think it was a tough spot to answer in-depth.
When the interviews ended, I then had the chance to go in for the screening of the film, which was packed, and kind of buzzing around Hef’s presence, like he was some sort of King bee, in fact. People were very excited, especially when they found out he was doing a Q&A after the film.
What I appreciated right off the top was that, when the pre-roll segment ran showing a historic film moment from Toronto, to celebrate the city’s 175th anniversary, there were quite audible ‘Ohhs’ and ‘Ahhs’ when the credit ran explaining that they had just seen a clip from the 1920 Santa Claus Parade. Having seen a number of films with the press, it was wonderful to finally see one of these clips run for an audience, most likely an audience that was also mostly made up of Torontonians.
The film itself was kind of a unique documentary, and Berman clearly spent a lot of time putting it all together. It’s an historic account of the man’s life, and after seeing it I am a bit shocked to realize that we don’t give him enough credit. There could have been more included to properly weigh out some aspects of his life and career, but I think the point was simple; Hefner contributed a lot to social change, and some of that is much bigger than just sex, nudity, and even free speech.
Dr. Ruth, in fact, makes an appearance in the film, and she makes one of the more memorable points in saying that, perhaps Hefner would be more respected for his accomplishments if his personal life hadn’t gotten quite so tied up in the image of his company and, more specifically maybe, the magazine.
More coverage to follow. I’ll try and get something online about today before my next interview and the Precious red carpet tonight. Video, interview pieces, and other longer items will go up throughout the week.