A decent, but unexceptional primer on the life and works of one of the most exalted American authors of the 20th century, Flannery follows a boilerplate documentary template of talking heads and narrated selections from the CV of its subject to offer up the kind of film that’s best viewed as a basic educational lesson.
Our coverage of the 2020 online edition of the Hot Docs Canadian International Documentary Festival – which kicks off tomorrow – continues with ten more must-see documentaries.
A bittersweet and transformative look at a landscape that could forever be altered or lost thanks to a xenophobic campaign promise run amok, the documentary The River and the Wall looks at both the ecosystems that could be destroyed thanks to the building of Donald Trump’s wall along the U.S./Mexico border and the futility of constructing such an edifice in the first place.
While many viewers might already be wary about the contents of their health and beauty care products, award winning Canadian documentarian Phyllis Ellis’ Toxic Beauty is a necessary shock to the system.
Powerlifting champion, former U.S. marine, and parent of three Janae Kroczaleski is no stranger to hard work and adversity, but Canadian filmmaker Michael Del Monte’s documentary about her, Transformer (opening theatrically in Toronto on Friday, October 19), focuses on a lifelong struggle for the former “alpha male” to embrace her true identity.
Hot Docs kicks off its 25th year today (and runs through May 6), and here are 15 films showing during the first few days of the festival that are worth catching and guaranteed to scratch your non-fiction itch.
We talk to Canadian-Nigerian filmmaker Shasha Nakhai about her debut feature documentary Take Light (premiering at the Hot Docs Canadian International Documentary Festival this weekend), which finds her returning to her hometown of Port Harcourt to take an on the ground look at Nigeria’s ongoing energy crisis.
Although he didn’t initially set out to do so, first time documentarian Jonathan Olshefski ended up spending almost a decade with the subjects of his equally heart-warming and heart-wrenching film Quest (which opens at The Hot Docs Ted Rogers Cinema this weekend and expands in the coming weeks).
Canada’s 150th birthday is a cause for many to celebrate what makes the country such a great place to live, but it should also be used as a time to reflect on what citizens can do to make Canada a better, more equitable place for all its citizens. To that end and just in time for the Canada Day long weekend, the Hot Docs organization has delivered their most ambitious and unique in-house project to date: the anthology documentary In the Name of All Canadians (which made its World Premiere at the Hot Docs Ted Rogers Cinema this past Wednesday and opens properly at the theatre on Friday the 30th), a series of five short films and a wrap-around segment that brings to light issues, controversies, and important to remember past precedents surrounding the rocky history and implementation of the 35 year old Canadian Charter of Rights and Freedoms.
Few films have captured the volatility of Israeli politics quite like filmmaker Shimon Dotan’s documentary The Settlers, which opens this week theatrically at The Hot Docs Ted Rogers Cinema after screening as part of Doc Soup this past February.