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Review: Soulpepper’s ‘Glengarry Glen Ross’

Once your ear is attuned to the fire hose volume of expletives in David Mamet's 1983 play Glengarry Glen Ross, the profane mantra begins to take on a rhythm and cadence of its own. With each line, the play (inspired by Mamet's experience working in a Chicago real estate office in the 1960s) is more of an indictment of the dog-eat-dog unprincipled capitalism that chews up its participants. The Soulpepper production, tautly directed by company regular David Storch, is an ambitious and successful revival.
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Review: Soulpepper’s ‘Travesties’

The question "what if?" is all the fertilizer needed to sprinkle on the waking thoughts of most playwrights. Travesties, which opened February 18, was inspired by Tom Stoppard's discovery that James Joyce, Lenin and Dadaist founder Tristan Tzara were all living in Zurich in 1917.