A subtle, yet intensely passionate period love story, Ammonite is the type of film that can tell more with images and glances than most epic novels could manage with thousands of words
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The Best is Yet to Come, the feature directorial debut of longtime Jia Zhang-ke collaborator and first-assistant director Wang Jing, is both a social issue …
Fauna, the ninth (and in some ways, most straightforward) film from Mexican-Canadian writer-director Nicolás Pereda, is a keenly perceptive, metafictional look at the impact “true …
For his latest epic, observational look at a complex system and the roots branching out from them, City Hall, esteemed documentarian Frederick Wiseman turns his …
A simply told but richly detailed story of siblings coping with a shared trauma and the spectre of mental illness in different ways, Wildfire, the …
A lazily reductive and somewhat insulting bit of performative activism writ large, the anti-bullying drama Good Joe Bell is trying too desperately to be “Green …
Winner of this year’s Silver Lion at the Venice Film Festival, Mexican filmmaker Michel Franco’s latest, New Order, is a bracing, pointed, and occasionally sloppy …
The 45th Toronto International Film Festival is celebrating a lot of change this year, and that includes the launch of the inaugural TIFF Tribute Awards …
Uncomfortable honesty seems to be the theme most prevalent throughout the films found in the fifth and final programme of shorts at this year’s Toronto …
Mira Nair’s epic romantic miniseries A Suitable Boy closes out this year’s Toronto International Film Festival with a suitably binge-worthy epic.
Italian filmmaker and documentarian Gianfranco Rossi is a master of capturing profound images that speak volumes about the human condition, and his latest, Notturno, is …