Brendan Fraser delivers an Oscar calibre performance in director Daren Aronofsky’s otherwise uneven and manipulative drama The Whale.
Andrew Parker
Andrew Parker
Andrew Parker fell in love with film growing up across the street from a movie theatre. He began writing professionally about film at the age of fourteen, and has been following his passions ever since. His writing has been showcased at various online outlets, as well as in The Globe and Mail, BeatRoute, and NOW Magazine. If he's not watching something or reading something, he's probably sleeping.
A delightful holiday movie surprise for the entire family, Roald Dahl’s Matilda the Musical is an ear and eye catching work of go-for-broke entertainment.
- Film
Geographies of Solitude Review | Featuring Music by The Beetles (and ants, and seals, and snails, and…)
The most relaxing documentary of the year, Jacquelyn Mills’ Geographies of Solitude shows how one person’s passion and obsession in an isolated location can help us better understand the world …
The romantic (and seasonally appropriate) tragedy Spoiler Alert makes the advantageous decision to be up front about where it’s heading from the opening scenes and title.
Almost one year removed from the slap heard round the world at the Oscars, Smith shows up in a film that’s just as brutally violent in tone as the very …
Babak Payami’s documentary 752 is Not a Number takes a global tragedy and gross miscarriage of justice and strips it past the open wound and down to the bone.
With their latest documentary Framing Agnes, filmmaker Chase Joynt once again reflects on transgender history to add context to the present.
The Eternal Daughter once again finds British filmmaker Joanna Hogg wrestling with ghosts of the past, albeit this time a bit more literally and with only slightly diminished returns.
It might sound like a strange criticism to levy against a film where Santa Claus engages in a bloody war with machine gun toting mercenaries, but director Tommy Wirkola’s Violent …
While undeniably ambitious, writer-director Noah Baumbach’s adaptation of novelist Don DeLillo’s seminally strange White Noise is a shrill, obvious, and often painfully annoying disaster of epic, indulgent proportions.