The Lady and the Dale is a thoroughly engrossing, but sometimes uneven look at gender constructs, family bonds, and one of the biggest frauds to befall the automotive world.
Andrew Parker
Andrew Parker
Andrew Parker fell in love with film growing up across the street from a movie theatre. He began writing professionally about film at the age of fourteen, and has been following his passions ever since. His writing has been showcased at various online outlets, as well as in The Globe and Mail, BeatRoute, and NOW Magazine. If he's not watching something or reading something, he's probably sleeping.
The Little Things prefers style and formula over genuine substance, but there’s something undeniably charming about its nasty, unabashed familiarity.
Director Robert Zemeckis’ take on Roald Dahl’s classic children’s tale The Witches is an underwhelming adaptation that looks outstanding, yet feels unnecessary.
Balancing cleverness, simplicity, and a clear-headed vision, Wonder Woman 1984 is an unexpected surprise.
The fantasy-adventure yarn Max Cloud embraces old school gaming and B-movie standards to create a fun and familiar bit of entertainment.
An electrifying and intimate look at cultural shifts within the black community at the height of Jim Crow and a mass exodus from the American south, Ma Rainey’s Black Bottom …
Some critics like to call action epics like Monster Hunter “thrill rides,” but here that statement is as true as it is meaningless and hollow.
Palm Springs is a rom-com for nihilists, and I mean that as a positive.
A passable bit of lighthearted family entertainment, the slapstick “battle of the ages” comedy The War with Grandpa requires all who watch it to tap into their inner tween.
Ryan Murphy’s bright, colourful, and relentlessly chipper screen adaptation of the musical The Prom is exactly the sort of star driven production that the material is trying to lampoon.