Crime Scene: The Vanishing at the Cecil Hotel is an effortlessly bingable, yet uniquely melancholic true crime documentary saga that plays with audience expectations of the genre.
Andrew Parker
Andrew Parker
Andrew Parker fell in love with film growing up across the street from a movie theatre. He began writing professionally about film at the age of fourteen, and has been following his passions ever since. His writing has been showcased at various online outlets, as well as in The Globe and Mail, BeatRoute, and NOW Magazine. If he's not watching something or reading something, he's probably sleeping.
Black Art: In the Absence of Light is an eye opening, albeit lightweight look at how one revolutionary gallery exhibition was able to change the history of visual arts.
Here’s our look at the 50 Best Films of 2020 (and the first part of 2021, thanks to the extended Oscar season), a strange, but great year for movies.
Another film that was shot pre-pandemic, but now feels like it has taken on a whole new meaning, American indie director Chad Hartigan’s fourth feature, Little Fish, is an effective, …
Better than most other large scale disaster films out there, Greenland shifts its focus away from an abundance of speaker rumbling explosions and near misses (although there are plenty of …
I honestly can’t tell if I appreciate writer-director Sam Levinson’s Malcolm & Marie or I hate it with every fibre of my being. Even more honestly, I’m in no rush …
Fake Famous is an engaging and intelligent documentary about modern consumer culture, told in a way that’s usually annoying and cliched, but somehow it works perfectly for what director/mastermind Nick …
Writer-director Tobias Lindholm’s Danish miniseries The Investigation belongs in the conversation alongside Mindhunter and Broadchurch when discussing the finest and most emotionally riveting police procedurals of this century.
The Lady and the Dale is a thoroughly engrossing, but sometimes uneven look at gender constructs, family bonds, and one of the biggest frauds to befall the automotive world.
The Little Things prefers style and formula over genuine substance, but there’s something undeniably charming about its nasty, unabashed familiarity.