A rare example of a lighthearted romp that’s as timely as it is amusing, the young adult adventure and mystery Enola Holmes establishes a new cinematic hero just when the …
Andrew Parker
Andrew Parker
Andrew Parker fell in love with film growing up across the street from a movie theatre. He began writing professionally about film at the age of fourteen, and has been following his passions ever since. His writing has been showcased at various online outlets, as well as in The Globe and Mail, BeatRoute, and NOW Magazine. If he's not watching something or reading something, he's probably sleeping.
Although hampered somewhat by the inherent predictability of its premise, Another Round is another solid effort from esteemed Danish filmmaker Thomas Vinterberg.
The New Corporation: The Unfortunately Necessary Sequel is a good example of a film that’s both vital and messy in equal measure.
Director Nathan Grossman follows the year-long rise of the most outspoken young activist in the world today with his first documentary feature, I Am Greta.
With his feature directorial debut, the Spielbergian family adventure and drama The Water Man, actor David Oyelowo shows that he might have a true knack for big budget blockbuster filmmaking.
Michael Dweck and Gregory Kershaw’s observational and enlightening documentary The Truffle Hunters has a lot more on its mind than culinary delicacies.
The Best is Yet to Come, the feature directorial debut of longtime Jia Zhang-ke collaborator and first-assistant director Wang Jing, is both a social issue picture based on a true …
Fauna, the ninth (and in some ways, most straightforward) film from Mexican-Canadian writer-director Nicolás Pereda, is a keenly perceptive, metafictional look at the impact “true to life” popular culture has …
Last Call is an ambitious, but unpretentious Canadian drama built around a gimmick that has fallen flat on its face for other filmmakers, but works rather well for the subdued …
A sharply written and gutturally toned reimaging of a crumbling marriage as a thriller rather than a melodrama, The Nest succeeds where so many other films about fracturing psyches fail.