In a Germany without accents, with the air of a city that could just as easily be 50 years ago or yesterday, Max follows the life of Max Rothman (played by John Cusack), a former soldier who came back from WWI without one of his arms and as an artist with only one hand, Max finds himself unable to paint, which leads him to start selling art in a local warehouse. On the evening that the film opens, Max meets an inspired young artist named Adolf Hitler who approaches Max with the hope that he’ll consider showing his art in the gallery. Nothing is that simple though, and even as we see Hitler walking away, there is an urgency and terror that bleeds into every conversation from then on as we begin to see what Hitler’s youth might have been like.
If he’s not breaking hearts in Evelyn: The Cutest Evil Dead Girl at the Toronto International Film Festival, then he’s trying to save the day alongside Harrison Ford’s character in K-19: The Widowmaker, and from here, Joshua Close only has eyes for making the best of his already aspiring career.
Yesterday was yet another crazy day, but it worked out really well. Went to press conferences for The Four Feathers and The Wild Thornberrys Movie, so I now have photos of Heath Ledger, Kate Hudson, Lacy Chabert, and Tim Curry. Plus, I went off to the red carpet arrivals for The Four Feathers and got some nice shots of Heath and Kate walking down the carpet.
If you’ve seen a Bruce Campbell film, you might think that you know what to expect… undead creatures, weird battles, and a dozen one-line zingers. In his latest film, Bubba Ho-Tep, he’s got all that going on, but this time you can change “Hail to the King, Baby”, to “Hail to the King of Rock n’ Roll, Baaaaby” as Campbell takes on the role of Elvis Presley in his golden years.
I had the interview with Bruce Campbell this morning and all I can say is… wow. He’s such a great guy to interview and it’s almost impossible to ask something that he can’t answer. I got video, photos and even some time with the director of Bubba Ho-Tep, Don Coscarelli, who was also great to chat with.
Just a quick update from the Toronto International Film Festival!
To start off my festival experience, I went to see Nick Nolte in The Good Thief–a film that easily swept me off my feet and totally surprised me. I am so surprised by how much I loved this film. I’m working on the review still, but I hope to have it up tomorrow morning before I run out to the first films of the morning. Unfortunately, I got some bad news tonight.
After a long, long wait, the Festival has finally started! Yes, it’s every media and movie nut’s favorite time of the year–schmooze time! That time of the year when everyone with a pass looks important, when die hard fans clutch desperately at their pens and pads of paper as they dodge security trying to get autographs, and photographers climb lamp-posts trying to get that ideal shot for the cover of Big Shot Magazine. It’s the time of year when a whole industry dines daily on popcorn and other expensive delectables from the greasy movie theatre concession stands, and it’s also that time when it’s not uncommon seeing someone carrying around a pillow as they run from theatre to theatre trying to catch as many shows as possible.
Considered one of the most important film festivals in the world, aside from Cannes, the Toronto International Film Festival has become a force to be respected amongst Hollywood’s elite and the 2002 edition of the “Festival of Festivals” is set to roll through town between September 5th and 14th.
“To write a diary every day is like returning to one’s own vomit.” -Enoch Powell.
Let me be honest here, this is my fifth attempt at running a blog/journal, and considering the way I operate, this one has about as much chance of surviving as all the rest! Still, I am at least trying again – so that’s something, right?