Indiana Jones and the Dial of Destiny fails to recapture the glory days of its franchise by barely trying to do anything novel at all.
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For his latest – and potentially most inaccessible – work to date, Asteroid City, filmmaker Wes Anderson has created a movie that has a lot of things to say, no …
A step up in overall quality from its decent, run-of-the-mill predecessor, director and action maestro Sam Hargrave’s Extraction 2 should solidly whet the appetites of action movie buffs.
An endlessly charming crowd pleaser that blends traditional Pixar magic with original, forward thinking, Elemental will warm the heart and elicit tears of joy; a perfect reflection of its two …
Transformers: Rise of the Beasts is a blockbuster toy commercial and empty spectacle that starts off decently enough, but quickly grows obnoxious and stupid in ways that aren’t particularly entertaining
A tremendous, intelligent, and emotional debut feature that can only be described as timeless, writer-director Celine Song’s Past Lives captures love, affection, heartbreak, friendship, and loneliness in their purest forms.
Suitably atmospheric, but mechanical and uninspired, The Boogeyman won’t surprise anyone that’s watched a horror film in the past fifty years.
Mildly amusing, but never particularly special or distinguished, Fubar feels like a series that would be more at home on basic cable or network television than on Netflix.
Smarter than expected, but lacking in the action one might be expecting, Mission Kandahar is an unusual, familiar, but fulfilling thriller.
Disney’s latest live action remake of one of their own animated classics, The Little Mermaid, is another bit of wading into the shallow end of the creativity pool.