It’s hard to write about a film like Lift – a lighthearted action-heist movie – because everything that could be said about this movie has already been said about dozens of like minded genre imitators that have come before it.
Following the Hollywood premiere of Rebel Moon – Part One: A Child of Fire, I sat down with director Zack Snyder to talk about making the film, the process, cast, and some early details on the R-rated extended cut coming soon.
VFX artist Chris Harvey has created a lot of magic on screen, and his work in the Netflix thriller Leave The World Behind will definitely surprise you.
Writer-director Sam Esmail has certainly studied the apocalyptic thriller handbook for his latest effort, Leave the World Behind, adapted from the novel of the same name by Rumaan Alam.
A pointed look to the past to better understand the present, filmmaker Roger Ross Williams’ Stamped from the Beginning is a tremendous work of scholarship and education.
Director Todd Haynes’ latest film, May December, is a provocative, engrossing, and unnerving avalanche of mixed feelings.
Bolstered by an outstanding, memorable leading performance from Colman Domingo, the biopic Rustin gives a prominent civil rights activist their proper due
All the Light We Cannot See, a big budget, limited series adaptation of Anthony Doerr’s bestselling novel, is a maudlin, relentless tearing at the heartstrings delivered with maximum bombast.
The Killer is a gleefully nasty, amoral, and wildly entertaining thriller that only a true filmmaking master like director David Fincher could provide.