Film

Spider-Man: Across the Spider-Verse is so perfect that the only complaint I can level is that the sequel can’t come fast enough.

A new professional development partnership between Netflix and imagineNATIVE is set to develop the skills of the next great Indigenous screenwriters, directors, and producers.

Suitably atmospheric, but mechanical and uninspired, The Boogeyman won’t surprise anyone that’s watched a horror film in the past fifty years.

Scream VI screenwriter and producer James Vanderbilt and screenwriter Guy Busick sat down to talk about the franchise, writing for the cast, and the connection to their film, Ready or Not.

About My Father is a motion picture spawned straight from the act of a stand-up comedian, and it shows.

Smarter than expected, but lacking in the action one might be expecting, Mission Kandahar is an unusual, familiar, but fulfilling thriller.

It Ain’t Over, a fun, if admittedly routine documentary by Sean Mullin, gives one of baseball’s most underrated giants their proper flowers.

Disney’s latest live action remake of one of their own animated classics, The Little Mermaid, is another bit of wading into the shallow end of the creativity pool.

Richard Harris left behind a legendary legacy as one of Ireland’s most talented actors, and one of his era’s most buzz worthy public figures. He was a thinker, a tough guy, a poet, a father, and a lover, and the documentary The Ghost of Richard Harris explores all those facets.

What’s Love Got to Do With It? is a resoundingly mid-tier rom-com that would work a lot better if it wasn’t trying to be a rom-com.