By the tenth entry in a horror franchise, the bar for quality and innovation has been significantly lowered, but it turns out to be a lucky number for Saw X.
The Creator, the latest film from director and co-writer Gareth Edwards, is a perfect example of what a first class filmmaker can do with bits and pieces of familiar material.
Pretentious, plodding, and only enjoyable in the sense that it’s so overblown it contains moments of unintentional levity, the limp procedural thriller Reptile is trash that aspires to be high art.
While it certainly plays up to the legendary status of its subject, Rudy Valdez’s biographical documentary Carlos still earns a lot of respect simply because of who the film is about.
Bad Press is an old school feeling documentary about pressing modern problems told from an original perspective.
Fans of sports documentaries will find a lot to love about Angle, even if they aren’t huge fans of its subject’s choice of pursuits.
Moving and metaphorical in equal measure, Anishinaabe filmmaker Darlene Naponse’s latest feature, Stellar, is an experimental, ambitious work that balances pain and hope in equal measure.
There’s always something off about Dumb Money, a look back at the revolutionary upending of the stock market by everyday retail traders sticking it to the billionaires and hedge fund managers who’ve seemingly rigged the game against everyday people.
An intoxicating and energizing mash-up of a home invasion thriller with an alien invasion movie, No One Will Save You is a film constantly able to take familiar ideas and raise them to new levels.
The ludicrously titled Expend4bes is a sad, excitement free instalment of a franchise that didn’t exactly nail things the first time out and then got progressively worse with sequels that progressively moved downhill.