Mostly one for the fans, but still offering an engaging (if almost punishingly long) profile of a pop star, Billie Eilish: The World’s a Little Blurry charts the meteoric rise and overwhelming success of its teenage subject.
Andrew Parker

Andrew Parker
Andrew Parker fell in love with film growing up across the street from a movie theatre. He began writing professionally about film at the age of fourteen, and has been following his passions ever since. His writing has been showcased at various online outlets, as well as in The Globe and Mail, BeatRoute, and NOW Magazine. If he's not watching something or reading something, he's probably sleeping.
The most talked about documentary of the year thus far, Framing Britney Spears gives an impassioned overview of efforts to free one of the biggest pop stars in the world from a court order that has restricted her career and personal life since 2008.
Lee Isaac Chung’s period drama Minari is one of the best films ever made about the Asian-American immigrant experience. It’s also one of the best films ever made about rural living and the seemingly never-ending chase for some to achieve “the American dream.”
Filmmakers Kirby Dick and Amy Ziering ask necessary questions about the power of media, influence, and celebrity throughout their four part documentary series Allen v. Farrow.
Karam Gill’s three-part documentary miniseries Supervillain: The Making of Tekashi 6ix9ine takes a scathing, detailed, and uneasily compelling look at one of the most hated and unquestionably successful artists in the history of hip-hop.
Overwrought, overlong, and morally dubious, Tell Me Your Secrets is a forced, sleazy thriller with all the ridiculousness and depth of a daytime soap opera.
Some Kind of Heaven, the first feature-length documentary from filmmaker Lance Oppenheim, is a moving and honest look about people growing older but never fully growing up.
A keenly detailed and emotionally charged snapshot of a young woman in free fall (both figuratively and literally), Canadian filmmaker Kazik Radwanski’s Anne at 13,000 ft. is a monumental achievement on an intimate scale.
An intelligent, but uneven sci-fi thriller that never settles on a proper tone, Synchronic mostly flounders, but still has some flashes of genuine ingenuity and entertainment value.
Supernova is an achingly beautiful, progressive, tender, morally complex, and empathetic love story that takes subject matter often reserved for television-movie-of-the-week fodder and turns it into something truly special and original.