Have you ever seen a movie SO bad you just can’t stop watching? Well… The Room (2003) written, starring and directed by Tommy Wiseau is just one of those films and it’s subject of the new feature, The Disaster Artist.
What happens when the curse of Polio strikes a young man, who has everything to live for, and leaves him …
It’s rare when a film comes along that is moving, inspiring, and so touching that you find it hard to forget after you leave the theatre. The Florida Project is one of those films that will not only have you talking about it’s subject matter but also about the extraordinary performances from it’s stars.
Miranda Richardson is always surprising. Even when you have an idea just how much she can inhabit a role, the next time you see her on screen you’ll likely still need a few minutes to fully accept that it’s Richardson who has vanished into another mesmerizing character.
Long-standing Hollywood screenwriter Mike White has a knack for witty dialogue and clever characters that feel like they’ve been snatched out of reality, and with his feature-length sophmore film, Brad’s Status, he turns the life of an average, middle-aged man, into a story that’s larger than life.
Saara Chaudry is just 13 years old, but she’s already got the charisma and intelligence of an actor twice her age, which might be why director Nora Twomey chose the young star to play Parvana in the animated adaptation of The Breadwinner.
Anne Winters surprised more than a few people when she dropped by The GATE’s Interview Lounge at TIFF 2017. Winters has stopped by to talk about the horror film Mom and Dad, but when I asked for a demo of her “horror movie scream” even I was surprised. Luckily no one called the cops on us.
The Hamilton Ventura is one of the most stylish, eye-catching watches ever made, and this year the iconic timepiece celebrates its 60th anniversary of turning heads.
For her sixth feature film, director, writer, producer, actor and all around DIY Jill-of-all-trades Ingrid Veninger takes filmgoers to Porcupine Lake (set to make its world premiere at the Toronto International Film Festival this week). A unique coming-of-age story from one of Canada’s most resolutely independent filmmakers, the latest from Veninger (MODRA, The Animal Project) represents both a departure for her cinematically and a telling of one of her most personal stories to date.
In addition to screening hundreds of feature films every year, the Toronto International Film Festival (kicking off on Thursday, September 7th and running to the 17th) boasts an exceptionally strong line-up of shorts. The Short Cuts Programme has become one of the most prominent showcases of short filmmaking in the world, but films functioning outside of the sexier, long-form norm can be found popping up throughout the festival in various sections, perhaps most notably in the daring, boundary pushing Wavelengths program.