Whether you’re planning a vacation in Dubai, exploring the United Arab Emirates, or you’re flying to India, Pakistan, or parts of the African continent, Emirates is one of the most prestigious airlines flying to the region, and this summer they announced additional capacity, thanks to two new flights leaving from Toronto every week.
An impassioned, emotional, and vital look at a young person of colour growing up in America, George Tillman Jr.s’ The Hate U Give isn’t a perfect piece of cinematic activism or even a narratively balanced bit of storytelling, but it’s still perfect in all the ways that matter most.
A personal, terrestrial, and sometimes even bracingly experimental look at the historical race to reach the moon, Damien Chazelle’s First Man is a technically dazzling and dramatically satisfying work from one of this generation’s finest filmmakers.
The 2018 Toronto After Dark Festival kicks off this week (and runs through to October ) with a screening of one of the best foreign films of the year, writer-director Issa López haunting, violent, and resoundingly timely modern fairy tale Tigers Are Not Afraid.
Writer-director Paul Greengrass is quite familiar with mounting reality based stories of everyday people suffering through physical and emotional tortures (Captain Phillips, United 93, Bloody Sunday), but his latest effort, 22 July, mines unspeakable tragedy for a more poignant, incendiary, and thought provoking look at everyday freedoms that some take for granted, and others try to twist to fit their own sickening ideologies.
Visually bracing and psychologically fascinating in equal measure, Free Solo, Jimmy Chin and Chai Vasarhelyi’s documentary look at risk-taking rock climber Alex Honnold, balances visceral thrills with an in-depth character study of a patently unclassifiable and exceptional human being.
The 2018 Rendezvous with Madness Festival, which is dedicated to looking at depictions of mental illness, treatment, and recovery in cinema (running until October 21), kicks off this week with The Song and the Sorrow, a touching look at one woman’s struggles to understand her famous father and his greatest works.
Renowned British filmmaker Paul Greengrass is no stranger to depicting real life traumas and tragedies on screen, but his latest feature as a writer and director, 22 July (opening in select cities and available on Netflix starting on Wednesday, October 10), finds the Oscar nominee tackling some of his most politically, morally, socially, and emotionally taxing material to date.
If The Old Man & the Gun truly represents veteran actor Robert Redford’s cinematic swan song, then writer-director David Lowery has gifted the performer with charming send off that makes the most of his trademarked suave demeanor.
A unique, beguiling, and subtly humorous take on the western genre, French filmmaker Jacques Audiard’s adaptation of Canadian novelist Patrick DeWitt’s The Sisters Brothers breathes ingenious new life into a cinematic artform that always feels like it’s on perpetual life support.