All the twists and carefully calculated double crosses in the world can’t save the con artist picture Sharper from being anything more than blandly passible.
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While the general foundation of Marlowe is solid, there isn’t much else of interest at in this otherwise messy, downplayed, and dull detective yarn.
Writer-director Mia Hansen-Løve’s latest feature, One Fine Morning, is the filmmaker’s most heartfelt and mature work to date.
One’s enjoyment of the easily digestible rom-com Your Place or Mine will depend entirely on your tolerance for genre cliches.
Wrenching, powerful, timely, and insightful, director Nisha Pahuja’s documentary To Kill a Tiger is one of the best investigations into the nature of toxic masculinity in modern Indian society.
Narratively simple, but thematically complex, Knock at the Cabin is director and co-writer M. Night Syhamalan’s most impressive feat in quite some time.
Ryan White’s documentary Pamela, A Love Story tries to undo falsehoods and put into proper context the tragedies, scandals, and successes of one of the most misunderstood and underestimated celebrities …
Australian horror thriller Run Rabbit Run starts out as a pleasingly familiar creepy kid yarn, but it runs out of gas very quickly en route to becoming ploddingly tedious.
Disappointing, but well made, Sometimes I Think About Dying is built around a solid concept that’s never satisfyingly explored.
Nancy Schwartzman’s incendiary, but uneven documentary Victim/Suspect takes a deep dive into the various ways detectives and authorities in positions of power try to clear notoriously difficult to prosecute sexual …