Loud, silly, and satisfying, Godzilla X Kong: The New Empire continues the Mosnterverse franchise with giddy, destructive glee.
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The weakest film in a disjointed, but usually likeable franchise by a wide margin, Ghostbusters: Frozen Empire is a cynical, shallow, hopeless bit of filmmaking that doesn’t care about having …
Road House, a remake of an 80s testosterone fuelled action picture that has maintained cult status for decades, is dumb as a box of rocks, and I’m positive that fans …
An effectively eerie and sometimes shocking bit of religiously coded paranoia horror, Immaculate treads on familiar hallowed ground, but does so with confidence and competence.
Director, writer, star, and “documentary subject” Cody Lightning takes a simple storytelling premise viewers already know and turns it into something hilariously personal with his behind the scenes mockumentary Hey, …
A work of great intensity and paranoia, German filmmaker Ilker Çatak’s The Teachers’ Lounge takes an already emotionally taxing and often thankless job in modern society and pushes things to …
Origin, the latest film from writer-director Ava DuVernay, is an artful and purposeful mess. And I mean mess in a good way.
After a bit of an extended hiatus and some noticeable tonal shifts across its past couple of seasons, the True Detective mystery anthology series returns with Night Country, a chilly …
A satisfying blast of action movie bombast and silliness that should nicely shake the post-holiday winter doldrums, The Beekeeper promises and delivers a ludicrously good time.
A pale musical interpretation of an early 2000s classic, Mean Girls struggles and fails to achieve acerbic comedic greatness.