All the Light We Cannot See, a big budget, limited series adaptation of Anthony Doerr’s bestselling novel, is a maudlin, relentless tearing at the heartstrings delivered with maximum bombast.
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The teens and tweens that comprise most of the target demographic for the horror thriller Five Nights at Freddy’s deserve a lot better than what they’re going to get here.
The Killer is a gleefully nasty, amoral, and wildly entertaining thriller that only a true filmmaking master like director David Fincher could provide.
Anatomy of a Fall, this year’s winner of the coveted Palme d’Or at Cannes, is a rigorous, and surprisingly emotional, procedural where all of the facts are opened to interpretation.
Although it doesn’t always pay off in ways one hopes, the darkly comedic Pain Hustlers pairs a tried and true formula to a specific, real life horror that hasn’t been …
Nyad is an inspirational and empowering sports drama that balances traditional (but well done) crowd pleaser tropes with a healthy dose of edge and realness.
For his latest masterwork, Killers of the Flower Moon, renowned filmmaker Martin Scorsese chronicles injustice and the settler mindset in sorrowful, long form detail.
What the bawdy and button pushing Dicks: The Musical lacks in consistent belly laughs it more than makes up for in unbridled energy and enthusiasm.
Steeped in paranoia and psychological intrigue, the documentary Mister Organ attempts to explore the banality of evil, and viewers’ skins will crawl when they see what’s looking back at them …
A darkly comedic, but playful and uniquely heartwarming genre mash-up, Quebecois filmmaker Ariane Louis-Seize’s first feature Humanist Vampire Seeking Consenting Suicidal Person holds a lot of unexpected delights for anyone …