Steven Soderbergh’s Presence finds the filmmaker delivering an unabashed genre piece with the director’s trademark flair for visual experimentation. Presence might not be as huge of a swing as some… …
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I should start, for the record, by saying I am by no means a die hard Star Trek fan. I have enough knowledge of the various television series, films, spin-offs,… …
A personal reminiscence from one of Canada’s most popular and viral comedic sensations, This is the Tom Green Documentary finds the titular funnyman in a relaxed, grateful, and reflective place… …
Creator Steve Thompson’s Prime Target is a terminally goofy, globetrotting espionage series that takes itself so seriously that it forgets to have a shred of fun. The Da Vinci Code… …
“Hemingway once said, ‘The world is a fine place and worth fighting for.’ I agree with the second part.” David Fincher’s first major success, the genre re-defining serial killer thriller… …
Like its predecessor, Den of Thieves 2: Pantera is a solidly constructed B-grade heist thriller with grand aspirations that makes its cliches more endearing. A sequel to returning writer-director Christian… …
A dull, dreary, and nihilistic portrait of American westward expansion, American Primeval mistakes realistic depictions of misery and suffering for actual depth. For all of its mighty, gory, overblown fury,… …
Jerry Springer: Fights, Camera, Action is a largely disposable and featherweight look behind the scenes of the most controversial “talk show” in the history of television
Better Man is an all out, crowd pleasing stylistic gamble that might be lesser in terms of storytelling, but grander in vision and spectacle.
James Mangold’s Bob Dylan biopic A Complete Unknown has a difficult task ahead of it. How does one make a mainstream, audience friendly movie built around a music icon who …
