Alexandre de la Patellière and Matthieu Delaporte’s fanciful and rollicking adaptation of The Count of Monte Cristo doesn’t reinvent the classic story, but it’s another shining example of how Alexandre …
Pierfrancesco Favino
Pablo Larraín’s Maria isn’t a biopic. It’s a garish fashion show disguised as a funeral.
Veteran Italian filmmaker Marco Bellocchio’s epic gangster drama The Traitor takes a conventional mobster narrative, but tells it with a great deal of technical and procedural complexity.