Smarter than expected, but lacking in the action one might be expecting, Mission Kandahar is an unusual, familiar, but fulfilling thriller.
Andrew Parker
Andrew Parker
Andrew Parker fell in love with film growing up across the street from a movie theatre. He began writing professionally about film at the age of fourteen, and has been following his passions ever since. His writing has been showcased at various online outlets, as well as in The Globe and Mail, BeatRoute, and NOW Magazine. If he's not watching something or reading something, he's probably sleeping.
It Ain’t Over, a fun, if admittedly routine documentary by Sean Mullin, gives one of baseball’s most underrated giants their proper flowers.
Disney’s latest live action remake of one of their own animated classics, The Little Mermaid, is another bit of wading into the shallow end of the creativity pool.
Making the most out of its perfectly paired leads, Platonic is a satisfying summer comedy that carves its own path rather than adhering to convention.
Phil Lord, Chris Miller, and Bill Lawrence’s gleefully anarchic and relentlessly silly cult favourite animated series Clone High hasn’t lost a step after being frozen in suspended animation for a …
What’s Love Got to Do With It? is a resoundingly mid-tier rom-com that would work a lot better if it wasn’t trying to be a rom-com.
You’re either with it or you aren’t, and for those who are on board, Fast X is an absolute blast.
Although it’s yet another familiar tale of a lonely, broken down man trying to distance himself from a past that won’t stay buried from writer-director Paul Schrader, Master Gardener is …
A rare example of a clever, funny remake of a film heralded by some as a classic, White Men Can’t Jump actually improves upon the film that inspired it.
Although a lot of the territory it covers is familiar, everything else about writer-director Laurel Parmet’s coming-of-age drama The Starling Girl is exceptional.