Film reviews, interviews, and previews from The GATE including annual coverage of the Academy Awards, Toronto International Film Festival, and more.
Nightwatch: Demons Are Forever is an unnecessary, but worthy follow up to one of the most slept on suspense thrillers of the 1990s.
Sweetland tackles feelings of loss and isolation by taking an already sparse story and gradually stripping everything away until there’s nothing left.
A scathing indictment and scholarly examination of the history of policing in America, documentarian Yance Ford’s Power is a wake up call to the world in an era of growing …
Although it hews closely to musician biopic conventions in terms of staging and pacing, the work and life of singer-songwriter Amy Winehouse comes to vivid life in director Sam Taylor-Johnson’s …
The only thing chilling about The Strangers: Chapter 1 is the all too real promise that there are two more of these things lurking around the corner.
Writer/director/co-star John Krasinski’s IF is a pleasant enough bit of family entertainment that balances wide-eyed, childlike wonder with just a touch of darkness.
Heartfelt and haunting in precisely equal measure, I Saw the TV Glow is a one of a kind film.
Minhal Baig’s We Grown Now is an earnest, well intentioned, heartfelt look at growing up black and poor in early 1990s Chicago, but it’s also flawed and curiously inauthentic.
Despite boasting a cheeky title that subtly refutes its own premise, award winning Japanese filmmaker Ryusuke Hamaguchi’s latest film, Evil Does Not Exist, has a poignantly sinister side to it …
Available to view for the first time in several decades and arriving with a newfound sense of context, Let It Be showcases a side of The Beatles that no one …
