Crave

Phil Lord, Chris Miller, and Bill Lawrence’s gleefully anarchic and relentlessly silly cult favourite animated series Clone High hasn’t lost a step after being frozen in suspended animation for a decade.

Based on a real life case of love, infidelity, fractured families, and murder, series creator David E. Kelley’s latest, Love & Death, is a straightforward, but impeccably crafted bit of television melodrama.

The final season of Barry hits hard, with some of the most intense moments that we’ve seen as the characters struggle with consequences, change, and their own misguided expectations.

HBO’s Perry Mason is back for a second season, and this time the would-be criminal defense lawyer is investigating a murder among a powerful oil family.

For its second season, HBO’s reboot of Perry Mason offers up deeper characters, darker morality, and an even better mystery than its first time out.

Two hundred years before the events in Game of Thrones there was another fight for control of the Iron Throne in Westeros, and that’s where House of the Dragon begins.

Westworld’s future is still dark and foreboding, and while the third season ended with a bang, the fourth returns with an odd sense of quiet, seven years later.

The Man Who Fell To Earth is Showtime’s smart, dark, and funny new sci-fi series, and it’s my favourite kind of television, building off of the original iconic David Bowie film, rather than rewriting it.

Winning Time: The Rise of the Lakers Dynasty is Adam McKay’s brand new HBO series, and it’s a wild redemption story about one of the NBA’s greatest teams, winning their way out of the lowest point in their history at the start of the 1980s.

Raised By Wolves returns for an epic second season that is already promising major revelations following that unbelievable first season finale.