Crave

Westworld’s future is still dark and foreboding, and while the third season ended with a bang, the fourth returns with an odd sense of quiet, seven years later.

The Man Who Fell To Earth is Showtime’s smart, dark, and funny new sci-fi series, and it’s my favourite kind of television, building off of the original iconic David Bowie film, rather than rewriting it.

Winning Time: The Rise of the Lakers Dynasty is Adam McKay’s brand new HBO series, and it’s a wild redemption story about one of the NBA’s greatest teams, winning their way out of the lowest point in their history at the start of the 1980s.

Raised By Wolves returns for an epic second season that is already promising major revelations following that unbelievable first season finale.

There’s something about the new French-language series Way Over Me (Sortez-Moi De Moi). Far more ER than Grey’s Anatomy, it offers a zoomed-in look at what happens when a patient is brought in from an emergency in the field.

The most talked about documentary of the year thus far, Framing Britney Spears gives an impassioned overview of efforts to free one of the biggest pop stars in the world from a court order that has restricted her career and personal life since 2008.

Filmmakers Kirby Dick and Amy Ziering ask necessary questions about the power of media, influence, and celebrity throughout their four part documentary series Allen v. Farrow.

Karam Gill’s three-part documentary miniseries Supervillain: The Making of Tekashi 6ix9ine takes a scathing, detailed, and uneasily compelling look at one of the most hated and unquestionably successful artists in the history of hip-hop.

Despite being based on a posthumously published set of short stories from one of the world’s foremost eroticists, Little Birds is as sexy as a pile of old tires.

Black Art: In the Absence of Light is an eye opening, albeit lightweight look at how one revolutionary gallery exhibition was able to change the history of visual arts.