The limited series Sirens starts off strong and intriguing before gradually turning frustrating and fruitless by the time it wraps up. It’s not so much that the ending of Sirens… …
Andrew Parker
Andrew Parker
Andrew Parker fell in love with film growing up across the street from a movie theatre. He began writing professionally about film at the age of fourteen, and has been following his passions ever since. His writing has been showcased at various online outlets, as well as in The Globe and Mail, BeatRoute, and NOW Magazine. If he's not watching something or reading something, he's probably sleeping.
The live action remake of Disney’s 2002 animated classic Lilo & Stitch earns its place alongside the likes of Kenneth Branagh’s Cinderella and the underrated Christopher Robin as one of… …
Although it runs across two feature length instalments, the biographical documentary Pee-Wee as Himself struggles to get to know actor and subject Paul Reubens. That’s not a criticism, but rather …
Let’s cut to the chase before getting into specifics: Hurry Up Tomorrow is awful. It’s awful in special, almost inconceivable ways. This companion piece to The Weeknd’s album of the …
Final Destination Bloodlines blurs the lines between what constitutes a straight up sequel, a reboot, and the modern day concept of a “legacy sequel.” In terms of its approach, this… …
The bleak, stone faced, but uproariously silly comedy Friendship proves that comedy really is subjective, and the most rewarding films often don’t play to everyone’s taste one-hundred percent of the …
Nyle DiMarco and Davis Guggenheim’s documentary Deaf President Now! only unfolds over the course of a single, intense week in the spring of 1988, but the reverberations of the events …
The batty and hyperactive action comedy Fight or Flight lands somewhere between homage and parody. Derivative of the likes of every John Wick and Die Hard clone to come out …
Chinese auteur Jia Zhang-Ke’s latest film Caught by the Tides is a lot like his earlier films; not tonally or structurally, but somewhat more literally. A blending of past and …
Canadian writer-director Jason Buxton’s Sharp Corner is a rarity these days: a wholly original film that occupies its own space in terms of tone and content. A moody character piece …
