Bolder than anyone expects yet another “final” entry in a horror franchise to be, David Gordon Green’s Halloween Ends is bound to divide opinion, and in this case, that’s probably a great thing.
Andi Matichak
David Gordon Green’s heavily hyped and anticipated remake of John Carpenter’s 1978 horror movie classic Halloween takes an old standard, makes some intriguing tweaks, slaps on a new coat of blood red paint, and serves up a nifty balance of old school slasher movie shocks mixed with admirable, post-modern upgrades.
Eclectic director and co-writer David Gordon Green proves to be a great fit to reignite the Halloween franchise with this sufficiently spooky, admirably gory, and exceptionally polished chapter in the ongoing battle between an unstoppable killing machine and the now eternally damaged woman who stopped his rampage forty years earlier.