There’s a satisfying thriller at the core of The Mother, but the combination of a bargain basement script and an overly serious tone prove to be a lethal combination.
Edie Falco
While some could read The Land of Stead Habits, the latest feature from writer-director Nicole Holofcener as a tale of one man’s mid-life crisis, it’s more a pointed, poignant, and …
Replicating the dated style, tone, and pacing of a mid-90s indie comedy sounds like a recipe for disaster by today’s standards, but for her second feature, Landline, filmmaker Gillian Robespierre …