Black Mirror: Bandersnatch, the latest and most ambitious experiment in Charlie Brooker’s techno-skeptical anthology series, is engaging, thrilling, and emotionally defined enough to warrant losing the better part of a day trying to figure out its intricacies.
Fionn Whitehead
Veteran British director Richard Eyre’s uneven, but mostly commendable big screen adaptation of author Ian McEwan’s The Children Act tries its best to marry the two ill fitting tones of the novelist’s screenplay.