Guillermo del Toro’s Frankenstein is a landmark career achievement. I don’t mean that in the sense that it’s the best film in del Toro’s impressive catalogue, but in the sense …
The Perfect Neighbor is director Geeta Gandbhir’s documenting of American morality and friendliness in tragic free-fall. Taken almost exclusively from primary resources The Perfect Neighbor is a shudder inducing piece …
Visually poetic documentarian Viktor Kossakovsky’s Architecton pays careful consideration to landscapes and structures in a bid to better understand why humanity has forsaken the ingenuity of its past of the …
Deathstalker is a lot like professional wrestling. You know if you’re going to be into it or not just by looking at the package. If the idea of a jacked-up …
John Candy: I Like Me is a heartfelt, loving tribute to an actor who never got their proper due. A legendary comedic (and dramatic) talent who passed away far too …
Bone Lake wants to play a game with the viewer. It’s one a lot of horror and art house buffs will be familiar with, and they’ll likely catch onto the …
David Osit’s stomach churning documentary Predators forces viewers to reconsider the entertainment value some find within the true crime genre. It’s not necessarily a full on take-down of its subject, …
Good Boy is a horror movie that’s more laudable for its perspective, craft, and patience than it is as a total package. The story is thin and obvious, but the …
The underbaked, yet overburdened drama Anemone is proof that great performances and flowery, flowing prose don’t always make for a great movie. More of a writing and acting exercise for …
The Smashing Machine is a smartly made movie that doesn’t attempt to intellectualize a sport where people pummel each other for money. Instead of looking at melodramatic moral breakdowns, devastating …