Film reviews, interviews, and previews from The GATE including annual coverage of the Academy Awards, Toronto International Film Festival, and more.
The animated yuletide comedy That Christmas is an interlocking set of stand alone stories brought to you by one of the undisputed kings of that style of filmmaking.
As a look inside the band, Beatles ’64 doesn’t tell the viewer – especially Beatles fans – anything they probably don’t already know, but as an examination of the band’s …
Pablo Larraín’s Maria isn’t a biopic. It’s a garish fashion show disguised as a funeral.
Despite never reaching the emotional or musical heights of its predecessor, Moana 2 is a rousing, entertaining, and inspiring family adventure that hits all the right notes.
There’s no good reason why the animated family adventure Spellbound is this bad.
The unexpected gift of a rice cooker provides a unique and emotional jumping off point for writer-director Payal Kapadia’s debut feature All We Imagine as Light.
From its opening frames, Jon M. Chu’s big screen adaptation of the hit musical Wicked captures the viewer’s heart and imagination.
Gladiator II is big, loud spectacle writ large on screen by luminary director Ridley Scott, which means it’s in line with its predecessor from nearly 25 years ago. That doesn’t …
A textbook inspirational movie about a world changing scientific breakthrough, Joy is superficial; merely scratching the surface of a complex and deep topic.
The Line, first time featured director and co-writer Ethan Berger’s look into the dark corners of frat boy culture, is simultaneously gritty and predictable.
