Film reviews, interviews, and previews from The GATE including annual coverage of the Academy Awards, Toronto International Film Festival, and more.
When it comes to the recent trend of films exploring the genesis of famous brands, Widow Clicquot isn’t the best or worst, but its female perspective sets it apart from …
Wild Wild Space offers an insightful, educational look into the current “lunar land grab,” a movement funded largely by billionaires and venture capitalists to see who can get the most …
One’s ability to enjoy the dark comedy Cora Bora depends entirely on their tolerance for non-stop abrasiveness and selfishness, and that’s by design.
Before it plummets off a ledge by abandoning a decent concept and throwing away all of the ideals it set forth in the early going, the unnecessary sequel Indian 2 …
A textured and subtle examination of gender identity and familial relations, the Spanish/French drama 20,000 Species of Bees has a lot on its mind, but thankfully gives the viewer enough …
Leadenly paced and not particularly funny, the period piece rom-com Fly Me to the Moon has an eagerness to please that exhausts more than it entertains.
The vital and incendiary documentary Yintah is the best look at the fight to maintain indigenous land rights and native sovereignty since Alanis Obomsawin’s landmark films Incident at Restigouche and …
Longlegs, the latest horror thriller from writer-director Oz Perkins, is an example of less being more in the most positive and unsettling ways.
Director and co-writer Jake Paltrow’s anthology film June Zero is half a good movie and half a colossal misfire, which is a strange thing to say about a story that …
Blending social commentary with chase movie elements and large scale shootouts, the South Korean thriller Escape is an odd film, but certainly an entertaining one.
