Ryan Murphy’s bright, colourful, and relentlessly chipper screen adaptation of the musical The Prom is exactly the sort of star driven production that the material is trying to lampoon.
Andrew Rannells
Joe Mantello’s cinematic updating of Matt Crowley’s seminal LGBT play The Boys in the Band is a great example of how one can make something visually and dramatically captivating for the screen while retaining everything that made the stage version special.