The weakest film in a disjointed, but usually likeable franchise by a wide margin, Ghostbusters: Frozen Empire is a cynical, shallow, hopeless bit of filmmaking that doesn’t care about having …
Carrie Coon
Well intentioned, but narratively and stylistically limp, writer-director Matt Ruskin’s crime drama Boston Strangler brings no new ideas of its own to the overcrowded true crime inspired genre.
From The Goonies, to Ghostbusters, and The Lost Boys, the 80s had a language for film that felt like the air was a little electric, anything was possible, and you …
A sharply written and gutturally toned reimaging of a crumbling marriage as a thriller rather than a melodrama, The Nest succeeds where so many other films about fracturing psyches fail.