David Gordon Green’s heavily hyped and anticipated remake of John Carpenter’s 1978 horror movie classic Halloween takes an old standard, makes some intriguing tweaks, slaps on a new coat of blood red paint, and serves up a nifty balance of old school slasher movie shocks mixed with admirable, post-modern upgrades.
Judy Greer
Eclectic director and co-writer David Gordon Green proves to be a great fit to reignite the Halloween franchise with this sufficiently spooky, admirably gory, and exceptionally polished chapter in the ongoing battle between an unstoppable killing machine and the now eternally damaged woman who stopped his rampage forty years earlier.
These pictures are worth more than a thousand words. I’m thriled to once again have photographer Rick McGinnis with us for The GATE’s Interview Lounge at TIFF 2017, Presented by Hamilton Watch, and this year he captured some truly stunning portraits of the filmmakers, actors, and talent who dropped in.
This week’s new releases include: the musical Burlesque, starring Christina Aguilera; James Franco’s drama, 127 Hours; the farcical dramatic comedy, Love and Other Drugs; plus a look at Faster, and Bambi.
Opening this week at a theatre near you: Christina Aguilera and Cher star in the musical, Burlesque; Disney debuts their latest animated comedy, Tangled, starring Mandy Moore; Anne Hathaway and Jake Gyllenhaal fall for each other in Love and Other Drugs; and a look at Faster, starring Dwayne Johnson.