A well intentioned, but woefully misguided attempt to mine real life trauma for feel good whimsy, the effects driven wannabe crowd pleaser Welcome to Marwen has a lot of great technology, solid ideas, and a genuine, earnest desire to uplift, but it never realizes that it’s approach is astoundingly clueless and shallow.
Leslie Mann
Everyone involved with the dreadfully unfunny comedy The Comedian is better than this. It’s the rare kind of spectacular failure where everyone involved with the film should have realized that what they were making was garbage before the cameras even rolled. It’s a hackneyed premise drawn out to unconscionable lengths and run into the ground by people acting oblivious to the fact that these characters aren’t interesting, endearing, sympathetic, or funny.
Opening at a theatre near you this weekend: humanity has a new threat to fear in the prequel to the famous franchise, Rise of the Planet of the Apes; and Ryan Reynolds and Jason Bateman star in the unfortunate comedy, The Change-Up.
Landing on home video this week: Rio swoops in with Jesse Eisenberg and Anne Hathaway voicing two rare, lovelorn parrots; Sean Connery stars as a clever monk in the murder mystery The Name of the Rose; and a look at the drama Last Night.
Opening this week in theatres: Jesse Eisenberg voices the parrot Blu in the animated comedy, Rio; and Neve Campbell returns for the latest installment of Wes Craven’s slasher franchise, Scream 4.