Awash in cliches, highly predictable, but easily watchable, the limited series adaptation of Daisy Jones & the Six should please the novel’s legions of fans while offering few surprises for anyone else.
Assassination Nation is an over-the-top social commentary wrapped up in a horror movie and a thriller, and it’s really going to get people talking this weekend when it opens in theatres.
With her exceptionally produced and critically acclaimed debut feature, A Girl Walks Home Alone at Night, filmmaker Ana Lily Amirpour established herself a major talent to keep a watch on in the future. With her second film, the still sparse, but more visually ambitious post-apocalyptic drama The Bad Batch, many of Amirpour’s supporters will be left scratching their heads and wondering if the same filmmaker could have made both of these films. Sometimes, such a vast departure toward more artistically fruitful territory could be a good thing, but The Bad Batch proves to be one of those sophomore slumps where the vision and the imagination of the filmmaker doesn’t translate into much of anything moving or thoughtful.