Although it does have moments of genuine human drama throughout, director Florian Zeller’s The Son uses unsubtle emotional manipulation to get its points across.
The Son
March is almost over and it’s been a fun month, and just a tad more relaxed than I expect in April. A little down time is welcome, and it’s certainly easy to hibernate when the weather is not so hot out. There has still been a lot to do though, and this weekend would have been a lot busier if I’d been able to make the Juno Awards, but I’ll be watching the festivities from Toronto.