Black Conflux is the type of film that you’ll keep thinking about long after you’ve left the theatre.
Boasting a wide array of A-list movie stars and behind-the-scenes power players who are willing to talk about gender disparity, discrimination, and sexual harassment in Hollywood, the documentary This Changes Everything comes at a perfect time to make an impact, but if you already know how difficult it is to be a woman in a male dominated industry, director Tom Donahue’s impassioned work won’t offer up much of anything you didn’t already suspect.
As broad of a comedy and cultural lecture as you’re likely to ever see, the Italian-Canadian production Road to the Lemon Grove is packed with the sort of old country humour that some viewers will devour with vigor and others will find painful to sit through.
Brittany Runs a Marathon is a charming and thoughtfully written dramedy with a wealth of depth and heart that closes out the proper summer movie season on a strong note.
Instead of merely outlining both sides of the modern American political divide and supporting only one of them, The Corporate Coup D’État looks at the complexities that created such viewpoints to begin with, and exposing how views on both the right and the left have been influenced and shaped by private interest money, not the whims of the populace.
The Canadian survival drama Angelique’s Isle is about as standard and unsurprising as these sorts of films tend to get, but that doesn’t mean it’s shoddily made or told without a fair degree of conviction.
Heartwarming and sweet, The Peanut Butter Falcon might follow a road movie trajectory that’s familiar to most audiences, but that doesn’t make its overall premise and approach any less original or enlightening.
Documentarian Max Lewkowicz’s Fiddler: A Miracle of Miracles is likeable and well researched examination of one of Broadway’s most successful musicals and pop culture’s biggest phenomenons.
Touch Me Not, the first feature effort from Romanian filmmaker Adina Piatilie, is a peculiar, but valuable docu-fictional examination of sexual frustration.
Angel Has Fallen shambles around from scene to scene as if it hasn’t even seen its ridiculous predecessors, content to take everything far too seriously for something this idiotic.