Sweet Tooth producers Susan Downey and Amanda Burrell from Team Downey talk about the Netflix series, and their style of heartfelt, storybook dystopia.
Television
Mildly amusing, but never particularly special or distinguished, Fubar feels like a series that would be more at home on basic cable or network television than on Netflix.
Making the most out of its perfectly paired leads, Platonic is a satisfying summer comedy that carves its own path rather than adhering to convention.
Phil Lord, Chris Miller, and Bill Lawrence’s gleefully anarchic and relentlessly silly cult favourite animated series Clone High hasn’t lost a step after being frozen in suspended animation for a decade.
A fun blast of laser precise nostalgia, self-aware parody, and comedic ingenuity, The Muppets Mayhem rocks all night and part of every day.
The intriguingly structured two-part ESPN 30 for 30 entry The American Gladiators Documentary shows there’s a lot more to one of the 1990s biggest cultural phenomenons than meets the eye.
Sweet Tooth stars Christian Convery and Naledi Murray chat about season two of the series, the large cast of kids, and favourite moments on set.
Award winning Quebecois filmmaker Philippe Falardeau’s incendiary and heartbreaking documentary series Lac-Mégantic – This is Not an Accident lays bare the variety of wholly preventable factors that led to one of the biggest disasters and losses of life in Canadian history, and the equally tragic fallout and perpetual trauma that the impacted community still faces to this day.
Based on a real life case of love, infidelity, fractured families, and murder, series creator David E. Kelley’s latest, Love & Death, is a straightforward, but impeccably crafted bit of television melodrama.
The final season of Barry hits hard, with some of the most intense moments that we’ve seen as the characters struggle with consequences, change, and their own misguided expectations.