Every February, TIFF hands the programming reigns and keys to the TIFF Bell Lightbox over to a team of film loving teenagers for the annual Next Wave Festival, a weekend of events, screenings, and talks geared towards the 14-25 set. Although the programming selections often feature themes, subject matter, and stars that would appeal to teenagers, increasingly Next Wave has become something even more intriguing to local film culture: a place where overlooked independent films from around the world get a chance to screen in a local cinema.
Have you ever seen a movie SO bad you just can’t stop watching? Well… The Room (2003) written, starring and directed by Tommy Wiseau is just one of those films and it’s subject of the new feature, The Disaster Artist.
What happens when the curse of Polio strikes a young man, who has everything to live for, and leaves him …
It’s rare when a film comes along that is moving, inspiring, and so touching that you find it hard to forget after you leave the theatre. The Florida Project is one of those films that will not only have you talking about it’s subject matter but also about the extraordinary performances from it’s stars.
Miranda Richardson is always surprising. Even when you have an idea just how much she can inhabit a role, the next time you see her on screen you’ll likely still need a few minutes to fully accept that it’s Richardson who has vanished into another mesmerizing character.
Toronto Filmmaker Pat Mills, wrote and directed his first feature film Guidance in 2014, and now he’s back with a follow up that in my humble opinion is charming and inspiring.
These pictures are worth more than a thousand words. I’m thriled to once again have photographer Rick McGinnis with us for The GATE’s Interview Lounge at TIFF 2017, Presented by Hamilton Watch, and this year he captured some truly stunning portraits of the filmmakers, actors, and talent who dropped in.
Long-standing Hollywood screenwriter Mike White has a knack for witty dialogue and clever characters that feel like they’ve been snatched out of reality, and with his feature-length sophmore film, Brad’s Status, he turns the life of an average, middle-aged man, into a story that’s larger than life.