Sir Anthony Hopkins gives his best performance since the early 90s in director Florian Zeller’s complex and sorrowful drama The Father.
Akilla’s Escape is an admirable modern day morality play, but also a slight misstep from Canadian filmmaker Charles Officer.
Those with an interest in expanding their cinematic horizons and watching films on the cutting edge will feel right at home in Short Cuts Programme 02, the closest thing TIFF …
A captivating blend of razor sharp and perceptive wit and nail biting suspense, writer-director Emma Seligman’s debut feature Shiva Baby understands something that most comedies don’t: being embarrassed and overwhelmed …
The gonzo Taiwanese horror-comedy Get the Hell Out – a satirical parable about a different sort of pandemic – has so much madness it could fuel a decade’s worth of …
David Byrne’s American Utopia is one of the most memorable and enjoyable opening night films in recent memory.
The Disciple, Indian writer-director Chaitanya Tamhane’s follow-up to his subtly flooring debut feature Court, is another exceptional slow burning character study that builds tension so carefully, one barely realizes the …
This year’s Toronto International Film Festival has seen the once elephantine fall event scaled back to its bare bones essence, but the carefully selected programmes of shorts remain as much …
A rousing lesson in the many reasons why the news and the history it seeks to cover should be handled objectively and without bias, Dawn Porter’s documentary The Way I …
A quirky, snappy, and genuinely lovable helping of cinematic comfort food, The Broken Hearts Gallery is a highly enjoyable screwball rom-com that pays homage to the classics through the lens …