An eerie, gross, and frequently hilarious tale of madness and misery, Robert Eggers’ The Lighthouse – the follow-up to his break-out indie horror success The Witch – is too weird …
Bridget Savage Cole and Danielle Krudy’s coastal and crusty noir Blow the Man Down isn’t just a strong feature debut for the filmmaking tandem, but also a wildly entertaining cult …
Easy Land, the first feature from Serbian-Canadian filmmaker Sanja Zivkovic, is a balanced, reserved, but emotionally resonant look at the modern immigrant experience, mental illness, and mother-daughter bonds.
Parasite is a brilliant, biting, chilling, and darkly hilarious bit of social commentary from Korean master filmmaker Bong Joon-ho that’s as entertaining as it is unsettling.
Veteran Italian filmmaker Marco Bellocchio’s epic gangster drama The Traitor takes a conventional mobster narrative, but tells it with a great deal of technical and procedural complexity.
If esteemed French filmmaker Éric Rohmer were still alive today, and he decided to make a movie about modern dude-bros, the result might look something like The Climb, which is …
The Invisible Life of Eurídice Gusmão, which won Un Certain Regard at Cannes earlier this year, is a vibrant, socially relevant, and richly told story of sisterhood ripped apart by …
White Lie, the latest and most straightforward effort from Canadian filmmakers Calvin Thomas and Yonah Lewis, is an emotionally devastating look at a young woman who’s learning the hard way …
An inventive, darkly comedic, and assuredly entertaining neo-noir, Romanian filmmaker Corneliu Porumboiu’s The Whistlers takes an unusual concept and weaves it into one of the most memorable and satisfying mysteries …
The deeply personal, painfully honest, and subtly witty Pain and Glory finds writer-director Pedro Almodóvar and leading man Antonio Banderas delivering some of their career best work.