Coming across as a macho, meat-headed take on Mission: Impossible, director Peter Berg’s bloody, hyperactive action thriller Mile 22 entertains by never taking itself too seriously.
Andrew Parker
Andrew Parker
Andrew Parker fell in love with film growing up across the street from a movie theatre. He began writing professionally about film at the age of fourteen, and has been following his passions ever since. His writing has been showcased at various online outlets, as well as in The Globe and Mail, BeatRoute, and NOW Magazine. If he's not watching something or reading something, he's probably sleeping.
Susanna Nicchiarelli’s eye opening and refreshingly atypical biopic Nico, 1988 looks at a music icon that died far too young without pitying its flawed subject.
Picking up the first ever audience award at this year’s Toronto Jewish Film Festival, the Spanish language drama The Last Suit predictably, but assuredly balances a story of an elderly …
A charming throwback to the sort of snappy, high concept teen movies that peppered the 80s and 90s, To All the Boys I’ve Loved Before might not be the best …
For her unique, personal, and warm-hearted documentary Maison du Bonheur (opening at TIFF Bell Lighbox in Toronto this Frday), Canadian filmmaker Sofia Bohdanowicz took a brave leap of faith and …
An intelligently constructed and refreshingly equitable use of often easily botched romantic comedy standards, Crazy Rich Asians elevates what could have been a trite crowd pleaser into something vibrant and …
A film made for basically no one, Slender Man emerges from the multiplex mire as not only a lock to be one of the worst films of the year, but …
The Crescent is one of the most moving and subtly chilling supernatural thrillers of recent memory, and considering its competition in that category, such a statement definitely points to a …
Director and co-writer Desiree Akhavan’s LGBTQ2S teen drama The Miseducation of Cameron Post is a well crafted, exceptionally performed, and heartbreakingly poignant film that still manages to have a gaping …
Corny, lowbrow, and still somehow likably entertaining, Dog Days is a bit like the kind of star-driven ensemble comedies that the late Garry Marshall was churning out towards the end …
