The Australian post-apocalyptic zombie movie riff We Bury the Dead exists in a strange, but interesting space. It’s not pulse pounding or gory in ways that genre buffs would find …
Andrew Parker
Andrew Parker
Andrew Parker fell in love with film growing up across the street from a movie theatre. He began writing professionally about film at the age of fourteen, and has been following his passions ever since. His writing has been showcased at various online outlets, as well as in The Globe and Mail, BeatRoute, and NOW Magazine. If he's not watching something or reading something, he's probably sleeping.
Film buffs could use some positivity right about now. With so much talk happening about mergers, the decline of the moviegoing experience, the ever looming spectre of AI, a variety …
2025 was a great year for movies. It was so great, in fact, that tomorrow I have my list of the 100 best films of the year dropping. There was …
The smash hit series Fallout (based on the popular video game franchise of the same name) is back for its second season on Prime Video, and along with it is …
The soapy throwback thriller The Housemaid is the most pleasant and infectious surprise of the crowded holiday movie season. A pitch perfect blend of suspense, camp, and crowd rousing high …
Although Avatar: Fire and Ash is yet another gorgeous looking technical achievement from director and co-writer James Cameron, this third instalment in his boundary pushing franchise is a major letdown …
For his first feature film, Dust Bunny, television veteran Bryan Fuller attacks the screen like a man possessed. A visual phantasmagoria of styles, tones, colours, sounds, and focused absurdism, Dust …
Writer-director Ira Sachs’ Peter Hujar’s Day is a film about nothing that’s really something to behold. It captures a feeling that’s hard to define; almost like you’re in a room …
La Grazia, the latest film from stylish Italian auteur Paolo Sorrentino, is one of the director’s best and most reflective works to date, maybe because it’s a bit more low …
Sara Shahverdi, subject of Sara Khaki and Mohammadreza Eyni’s documentary Cutting Through Rocks, isn’t the stereotype of a rural Iranian woman. Often rocking a fashionable jacket and a ball-cap atop …
