Canadian writer-director Carly Stone hasn’t lived the life of a “sugar baby,” but she looks at the comfortable and somewhat controversial lifestyle choice as part of a larger cinematic discussion …
Andrew Parker
Andrew Parker
Andrew Parker fell in love with film growing up across the street from a movie theatre. He began writing professionally about film at the age of fourteen, and has been following his passions ever since. His writing has been showcased at various online outlets, as well as in The Globe and Mail, BeatRoute, and NOW Magazine. If he's not watching something or reading something, he's probably sleeping.
Powerlifting champion, former U.S. marine, and parent of three Janae Kroczaleski is no stranger to hard work and adversity, but Canadian filmmaker Michael Del Monte’s documentary about her, Transformer (opening …
Part personal reflection and partially a work of advocacy, Aaron Wolf’s documentary Restoring Tomorrow looks at a world famous synagogue that’s trying to save itself from cultural irrelevance and extinction.
Matt Tyrnauer’s look back at one of the glitziest, decadent, more than borderline illicit, and short lived nightclubs, Studio 54, is a comprehensive and objective look at an NYC cultural …
Writer-director Sara Colengelo’s remake of Nadav Lapid’s 2014 Israeli drama The Kindergarten Teacher is a delicately, but darkly crafted morality tale that’s elevated to even further greatness and nuance thanks …
A hokey, inauthentic biopic of one of the biggest names in bodybuilding and fitness, George Gallo’s frequently risible and always unfortunate Bigger has a pair of unique leading performances and …
Writer-director Drew Goddard’s talky, delicately constructed, but dangerously overstuffed 60s set suspense mystery Bad Times at the El Royale is an overlong, but curiously still underdeveloped bit of entertainment that …
An impassioned, emotional, and vital look at a young person of colour growing up in America, George Tillman Jr.s’ The Hate U Give isn’t a perfect piece of cinematic activism …
A personal, terrestrial, and sometimes even bracingly experimental look at the historical race to reach the moon, Damien Chazelle’s First Man is a technically dazzling and dramatically satisfying work from …
More of the same only considerably less, Goosebumps 2: Haunted Halloween does away with most of the ingenuity and fun of its predecessor in favour of a limp rehash of …
