Despite being based on a posthumously published set of short stories from one of the world’s foremost eroticists, Little Birds is as sexy as a pile of old tires.
An unnerving and effective bit of religious themed horror, writer-director Rose Glass’ first feature, Saint Maud, gets under the viewer’s skin in spite of a sometimes overwhelming sense of familiarity.
One of the best films of the year, director and co-writer Shaka King’s Judas and the Black Messiah is a fascinating, exciting, and multi-layered character study and true story that …
A comprehensive blend of carefully curated interviews and a wealth of archival material, Lesley Chilcott’s six part documentary series Helter Skelter: An American Myth takes a deep dive into one …
Another Canadian film festival that’s enduring the pandemic, the Toronto Black Film Festival, has moved online for it’s 2021 celebration of black filmmaking and stories.
Crime Scene: The Vanishing at the Cecil Hotel is an effortlessly bingable, yet uniquely melancholic true crime documentary saga that plays with audience expectations of the genre.
Black Art: In the Absence of Light is an eye opening, albeit lightweight look at how one revolutionary gallery exhibition was able to change the history of visual arts.
Here’s our look at the 50 Best Films of 2020 (and the first part of 2021, thanks to the extended Oscar season), a strange, but great year for movies.
Another film that was shot pre-pandemic, but now feels like it has taken on a whole new meaning, American indie director Chad Hartigan’s fourth feature, Little Fish, is an effective, …
Better than most other large scale disaster films out there, Greenland shifts its focus away from an abundance of speaker rumbling explosions and near misses (although there are plenty of …