Although it might be misread by some as a crowd goosing melodrama, Peter Hedges’ Ben is Back is a moving and often painfully realistic depiction of a family coping with …
Andrew Parker
Andrew Parker
Andrew Parker fell in love with film growing up across the street from a movie theatre. He began writing professionally about film at the age of fourteen, and has been following his passions ever since. His writing has been showcased at various online outlets, as well as in The Globe and Mail, BeatRoute, and NOW Magazine. If he's not watching something or reading something, he's probably sleeping.
Norwegian disaster movie sequel The Quake feels every bit as passably entertaining, threadbare, and unnecessary as its bigger budgeted American and Asian counterparts.
A soulless cavalcade of empty spectacle and cacophonous noise, Mortal Engines is one of the dullest, least involving, hollow, and crass attempts at franchise filmmaking ever attempted.
While The Mule won’t go down as aging auteur Clint Eastwood’s best outing as a director, it will assuredly be remembered as one of his most interesting and daring roles …
The House That Jack Built, the latest film from controversial Danish auteur Lars von Trier, isn’t so much a motion picture as it’s a confrontational, baffling, effort ridden, messy, and …
No, the world doesn’t need a PG-13 version of Deadpool.
Spider-Man: Into the Spider-Verse is nothing shy of brilliant; the only truly unmissable blockbuster of the holiday movie season.
A daring, but dazzlingly realized reworking of Rudyard Kipling’s The Jungle Book, Mowgli: Legend of the Jungle is a successful risk that might not be suitable for the youngest of …
Deliberately grotesque, unapologetically foul-mouthed, and frequently hilarious Canadian comedy The Go-Getters revels in bad taste and worse behavior.
A gleefully off-beat mash-up of teen angst, jabs at yuletide cheer, horror movie gore, and show-stopping song and dance numbers, Anna and the Apocalypse runs through a handful of dissimilar …