I honestly can’t tell if I appreciate writer-director Sam Levinson’s Malcolm & Marie or I hate it with every fibre of my being. Even more honestly, I’m in no rush …
Fake Famous is an engaging and intelligent documentary about modern consumer culture, told in a way that’s usually annoying and cliched, but somehow it works perfectly for what director/mastermind Nick …
Writer-director Tobias Lindholm’s Danish miniseries The Investigation belongs in the conversation alongside Mindhunter and Broadchurch when discussing the finest and most emotionally riveting police procedurals of this century.
The Lady and the Dale is a thoroughly engrossing, but sometimes uneven look at gender constructs, family bonds, and one of the biggest frauds to befall the automotive world.
The Little Things prefers style and formula over genuine substance, but there’s something undeniably charming about its nasty, unabashed familiarity.
Director Robert Zemeckis’ take on Roald Dahl’s classic children’s tale The Witches is an underwhelming adaptation that looks outstanding, yet feels unnecessary.
Balancing cleverness, simplicity, and a clear-headed vision, Wonder Woman 1984 is an unexpected surprise.
The fantasy-adventure yarn Max Cloud embraces old school gaming and B-movie standards to create a fun and familiar bit of entertainment.
An electrifying and intimate look at cultural shifts within the black community at the height of Jim Crow and a mass exodus from the American south, Ma Rainey’s Black Bottom …
Some critics like to call action epics like Monster Hunter “thrill rides,” but here that statement is as true as it is meaningless and hollow.