Palm Springs is a rom-com for nihilists, and I mean that as a positive.
Andrew Parker
Andrew Parker
Andrew Parker fell in love with film growing up across the street from a movie theatre. He began writing professionally about film at the age of fourteen, and has been following his passions ever since. His writing has been showcased at various online outlets, as well as in The Globe and Mail, BeatRoute, and NOW Magazine. If he's not watching something or reading something, he's probably sleeping.
A passable bit of lighthearted family entertainment, the slapstick “battle of the ages” comedy The War with Grandpa requires all who watch it to tap into their inner tween.
Ryan Murphy’s bright, colourful, and relentlessly chipper screen adaptation of the musical The Prom is exactly the sort of star driven production that the material is trying to lampoon.
Although it’s made with a considerable amount of visual and performative talent, the disappointing thriller I’m Your Woman is an empty, wheel spinning experience.
Forget about the controversy or one’s feelings. Just avoid Songbird because it’s flat out awful.
While an interesting enough meditation on the intersection of Chinese literature and familial culture across the past century, the documentary Swimming Out Till the Sea Turns Blue is an overthought …
Although it first premiered at Hot Docs all the way back in 2014, Margaret Brown’s equally ecological and economical documentary The Great Invisible is only now being brought to a …
The gridiron drama Safety is a good example of unabashed, wholesome family entertainment done right.
Let Them All Talk is a witty and unpretentious story about overcompensating and pretentious people.
Honest Thief, the latest thriller where Liam Neeson exhibits a “particular set of skills,” isn’t high on action or campy fun, but it’s more interesting than most forgettable B-movies.
