Yes, God, Yes, is a teen sex comedy with the engine of a mature, character based drama.
Andrew Parker
Andrew Parker
Andrew Parker fell in love with film growing up across the street from a movie theatre. He began writing professionally about film at the age of fourteen, and has been following his passions ever since. His writing has been showcased at various online outlets, as well as in The Globe and Mail, BeatRoute, and NOW Magazine. If he's not watching something or reading something, he's probably sleeping.
The complex and impassioned documentary 40 Years a Prisoner builds an impactful history lesson about racism in America around an infamous incident of police violence and one son’s tireless efforts …
Kenny Scharf: When Worlds Collide is a pleasing and insightful documentary that gives an overlooked icon in the world of pop surrealism their proper due.
Survival Skills is a film that I appreciate because of what it’s trying to accomplish, and not because of the ways it’s going about conveying an important and impassioned message.
A slight, but truthful examination of trauma, writer-director Zeina Durra’s austere drama Luxor is a simple story told with a small amount of spiritual power.
In these troubling times, I can see the need for crowd pleasing, escapist, uplifting fare and gentle tearjerkers, but the unnecessarily fluffy romantic drama All My Life is pushing it.
An intelligently crafted, mind-bending, and dramatically satisfying look into the dark underbelly of the creative process, Black Bear isn’t the type of film that caters well to those looking for …
Triggered is the type of movie that’s so enamoured with its own concept that it ultimately ends up running things into the ground long before it starts wrapping up its …
Fear of Dancing starts off as one man’s attempt to understand his own unusual hang-ups, but branches out to look at why people develop phobias in the first place.
It’s often a dubious sign when a film about a real life icon starts with a title card saying “What follows is (mostly) fiction,” and that’s precisely the wrong foot …
