The Devil All the Time is a strange film, not only because of its brooding, violent, and foreboding tone, but also because of the sheer exhaustion one feels while watching it.
Kevin Kölsch and Dennis Widmyer’s skillful, spooky, and ultimately superfluous updating of Pet Sematary is a film that recycles about 85% of its big screen predecessor wholesale with modest improvements here and there and a respectable reverence for its source material.
The period piece thriller Winchester (which opened this past Friday without the benefit of screenings for the press, despite being the only major release last week) has a rousing and fascinating real life hook. It’s just a shame that no one seems quite sure what they want to do with it.
I went in to Terminator Genisys very interested to see where they were taking this thirty-year-old franchise, especially since I knew Paramount had already gave the green light to two sequels before this film was even close to being finished (partly due to the fact that all rights to this franchise revert back to James Cameron in 2019). And the start of the film–the first half hour–was very interesting indeed, but then it just seemed to turn in to a Roadrunnner cartoon.
Director Roland Emmerich seems to be taking a break from blowing up the world and focusing on more intimate targets, like the centre of the American government, but whatever scale you’re talking about, White House Down is exactly what we have come to expect from the bombastic filmmaker.
New arrivals on DVD and Blu-ray this week: Jake Gyllenhaal stars in the sci-fi thriller, Source Code, by Moon director Duncan Jones; plus a look at the drama Trust, starring Clive Owen and directed by David Schwimmer.