Director Jeremy Saulnier is no stranger to dark material, and his latest feature, Hold the Dark (arriving on Netflix this Friday and opening theatrically in Toronto the same day), might be his darkest, most challenging, and most ambitious work yet.
Dan Fogelman’s almost admirably insane Life Itself serves as a deep dive into the psyche of the creator of television’s hit series This is Us.
Fahrenheit 11/9, the latest long-form polemic from documentarian and pundit Michael Moore, definitely earns its sequel insinuating title, but not in ways that most viewers will be expecting.
While some could read The Land of Stead Habits, the latest feature from writer-director Nicole Holofcener as a tale of one man’s mid-life crisis, it’s more a pointed, poignant, and frequently funny indictment of privilege and suburban malaise.
The 1980s set gangster flick White Boy Rick gets off to a fast paced, but rocky start before eventually settling into a predictable, but more assured groove.
For their new and hilarious animated short film Animal Behaviour (which premieres this week at the 2018 Toronto International Film Festival), tandem filmmaking team Alison Snowden and David Fine look at some of human beings’ basest instincts through the eyes of cleverly drawn and insightfully written critters with issues.
Writer-director Paul Greengrass is very familiar with mounting reality based stories of everyday people suffering through physical and emotional tortures …
The rare example of a perfect film, Barry Jenkins’ adaptation of James Baldwin’s If Beale Street Could Talk considerably bests …
Bradley Cooper’s first feature A Star is Born is as great as the pre-release hype suggests. The time honoured story of a washed up musician taking an up and coming superstar under their romantic wing gets a much needed injection of thoughtful storytelling, expert leading performances, and an energy unparalleled by most big budget melodramas.
Eclectic director and co-writer David Gordon Green proves to be a great fit to reignite the Halloween franchise with this sufficiently spooky, admirably gory, and exceptionally polished chapter in the ongoing battle between an unstoppable killing machine and the now eternally damaged woman who stopped his rampage forty years earlier.